Fusing techno, garage, and the broken rhythms of contemporary bass, the six-track self-titled EP Graze rattles the ribcage as thoroughly as you’d expect from this duo. Their back story is emblematic of a broader convergence in club music. Both producers hail from different corners of Toronto’s fertile club scene – Adam Marshall from house and techno, Christian Andersen from jungle and dubstep. The two met up in Berlin, and, as fans of each other’s work, decided to join forces for a series of "upfront dance-floor tracks" that occupy the netherworld between their respective traditions. The Graze project represents an effort to look beyond club-music clichés. Their music has the kind of emotional weight and musical narrative that are all too rare these days. They aimed for that elusive sweet spot – neither gimmicky party jams nor flaccid, "experimental" brooders – and they nailed it.