Lou-Adriane Cassidy is a name that needs no introduction. Winner of the Prix Félix-Leclerc, the Félix for Reinterpretation Show of the Year (ADISQ 2024), and the Lucien for Artist of the Year (GAMIQ 2022), and most recently cited on the Polaris music prize Short List and nominated in 6 categories at the ADISQ music gala, she stands as one of the key figures of Quebec’s new music scene. Her role in the concert series Le Roy, la Rose et le Lou[p] — named a historic moment by La Presse — confirms that she holds the future of chanson in her hands.
In 2025, she made a strong impression with Journal d’un Loup-garou, an album hailed as a new classic, and a triumphant show. That same year, she surprise-released her fourth album, Triste Animal, revealing a genre-defying artist. With stripped-down arrangements, she fully channels the power of her interpretation. Blending folk, soul, samba, acoustic grunge, and jazz, it is her most eclectic and refined work to date.
From her debut C’est la fin du monde à tous les jours (2019) to the Lou-Adriane Cassidy vous dit : Bonsoir tour — named “the best Quebec concert of 2022” by Le Devoir — Lou-Adriane continues to assert herself as an essential presence, ready to fully occupy the space that is now hers.